#Studio one pro eq pro

For example, you might have a mix that sounds great but the lead vocal is getting lost amid the strings and backing vocals. The compressor still goes on the track that you want to modulate and is fed by a track that triggers the compressor. In this case, the difference is that youвЂ™re using a compressor. Now you can lower the volume fader for the trigger track all the way down вЂ“ et voila! Now you can have a gate trigger without an annoying cowbell track in the mix вЂ“ unless you like that sort of thingвЂ¦ Duck for coverДucking is another common use of the sidechain function. This allows you to use the send slider to adjust the volume of the signal being sent to the gate. On the send of the track youвЂ™re using as the sidechain, just click the pre/post-fader icon and select pre-fader. What if you donвЂ™t want to hear the track thatвЂ™s being used to trigger the gate? Simple. But itвЂ™s easier to apply these effects to audio tracks than to instrument tracks, although itвЂ™s possible to do this on instrument tracks too. This requires listening to the processed track while adjusting the parameters.Д¬areful tweaking of these parameters can lead to interesting results. The key to success with this type of processing is to get the attack and release times just right. One of the coolest tricks that can help add life and movement to stale pads, especially in dance music, is adding a gate as an insert on a pad or string track and using some kind of rhythmic track to feed the gateвЂ™s sidechain input. Technically, the audio through the sidechain input adjusts the threshold of the processor, which, in turn, affects the audio on the track where the processor exists. For example, you can feed the audio from a hi-hat track into a gate on a simple pad track to give the pad a choppy, rhythmic quality. Yanking your chainДЄ sidechain is an input into a processor, and allows you to use one trackвЂ™s audio to trigger a processor on another.

#Studio one pro eq pro

These sidechain functions can be harnessed via several of the effects in Studio One 5, including gate, compressor and various effects such as autofilter, channel strip, expander, fat channel, multiband dynamics, pro EQ, and Tricomp. In this tutorial, weвЂ™re highlighting a couple of techniques that can really add interest to your tracks using a gate and the sidechain functions in Studio One. We might have an idea that sounds good but there are certain techniques that can turn вЂgoodвЂ™ into вЂexcellentвЂ™. Note: ShiftвЂ“double-click the EQ area to insert the Linear Phase EQ in the next available (unused) slot.Broadly speaking, music production can be understood as taking a musical theme or idea and turning it into something interesting. The Channel EQ is inserted in the next available (unused) slot. If Audio Effect slot 1 is used: Double-click the EQ area. Any existing automation data is redirected. Note: Shift-Option-click the EQ area to insert the Linear Phase EQ in the first Audio Effect slot, and move all existing plug-ins one slot down. The Channel EQ is inserted as the first plug-in, all existing plug-ins are moved one slot down, and any existing automation data is redirected. If Audio Effect slot 1 is used: Option-click the EQ area. The EQ area changes to a thumbnail view of the Linear Phase EQ display. Note: Shift-click the EQ area to insert the Linear Phase EQ in the first Audio Effect slot. The Channel EQ is inserted in the first Audio Effect slot, and the EQ area changes to a thumbnail view of the Channel EQ display. If Audio Effect slot 1 is not used: Click the EQ area.